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Our world is a complex organism, more interrelated than the silos in which we typically place it. One area of research to recognise this is the new discipline of participatory architecture, which explores among other things the relationship between music and buildings. Michael Shirrefs explores the search for harmony in the built environment.
How does music speak to the buildings that house it? Music has always been a conversation with its environment, but from the 15th Century on, the craft became much more deliberate. And acoustic architecture has changed a lot since Dufay and the Gabrielis were composing their choral works for the Basilicas of Italy.
RN’s Michael Shirrefs is talking to Ishan Khosla who returned to India from the US five years ago and quickly realised that the rapid rise of the Indian Tiger economy was coming at a cost. In the headlong rush to be a big global player, India was at great risk of losing its unique design traditions.
Rural artists have typically found themselves trying to translate their experiences of living on the land to gate-keeping gallery owners in the major cities. But new informal networks of artists, brought together on the internet, are cutting out the middle man and staging their own shows and happenings.
On the NSW Central Coast lives farmer and artist Neil Berecry-Brown. For him, those two titles describe what he does in equal measure and the roles are interchangeable. However, while living on the land has always meant being relatively isolated, this is starting to change. And for many rural artists around the world, technology has allowed them to find each other and form strong networks.
Australia’s Capital is keen to move into a new era as it passes 100 years since its inception. But what does it mean to be a Canberran? For the rest of Australia, Canberra has remained a staple of parody and caricature for its entire, short life, but surprisingly the residents of Canberra aren’t quite as quick to shrug off the old clichés as you might think.
There’s a problem in Australia, with regard to Europe. It’s not just the media, although we’re certainly among the biggest culprits. The pervasive attitude, in Australia, is that Europe is a history subject. Europe represents the past … Asia is the future … we’ve got Europe under control. So, we can tick the European box and move on.
In a world of global ambitions and amorphous regions, Europe has become emblematic of the struggle between the need for collective cooperation and the fear of becoming lost in a vast, culturally homogenous mass. And in the current crisis of confidence about the future of the European ‘project’, one country sits as a symbol of all the tension and all the uncertainty.