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July 2012

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Why do we have cultural precincts?

It’s been 30 years since one of Australia’s first major post-war cultural buildings, the National Gallery of Victoria, gained a sympathetic neighbour—the Melbourne Concert Hall—which was built in 1982. This pairing of institutions marked the start of what was to become known as Melbourne’s arts precinct. But why do cities love to plonk so many of their large cultural building in one area?

Histrionics Vol.1

Histrionics is a collection of largely instrumental music pieces, composed by Michael Shirrefs between 2006 and 2012. Much of this work was written as themes, stings or incidental music for radio programs.

Histrionics Vol.1

Histrionics is a collection of largely instrumental music pieces, composed by Michael Shirrefs between 2006 and 2012. Much of this work was written as themes, stings or incidental music for radio programs.

Histrionics Vol.2

Histrionics is a collection of largely instrumental music pieces, composed by Michael Shirrefs between 2006 and 2012. Much of this work was written as themes, stings or incidental music for radio programs.

Histrionics Vol.2

Histrionics is a collection of largely instrumental music pieces, composed by Michael Shirrefs between 2006 and 2012. Much of this work was written as themes, stings or incidental music for radio programs.

Art on a Twig

There’s an old tradition in parts of rural Australia of the ‘Twig’ or ‘Twiggy’—suddenly deciding, on a whim, to stop by the side of the road, light a camp-fire with some friends and sit around for a chat, or to play music. Now the idea’s being revived, as a series of artist-in-residence events on farms along the Victorian/NSW border.